TIM SOUTHWELL 1952 - 2000

It’s hard to believe that I’ve known Tim, as a friend, for nearly 40 years – 40 obstreperous, voluble years.

Until today, there was only one way I knew to shut him up. And that was to quote the words of my sister, who as a newly qualified teacher found she had Tim Southwell, aged six, in her very first class. “Ah, little Timothy, he was such a sweet little boy,” she’d say, “I can see him now in his little yellow tee-shirt, listening - with big saucer eyes - to the story of the Little Tin Soldier.”

Well, you can imagine how Tim reacted, the eyes would bulge, he’d look distinctly queasy and he’d stagger in mock-amazement at what seemed to him outrageous character assassination.

The Tim that we remember, grew up to become a character so much larger than life that it’s hard to think of him as a boy - very hard - but throughout his life, I think, he carried with him a sense of the child – a fiercely bright boy of such devastating and precocious intelligence that at times it seemed impossible to know how best to use it.

To me he was like a Don Quixote – a massive bundle of intellectual and imaginative energy tilting at dragons, at windmills, at politicians, at priests, at friends, at anything that got in his way and – when there was nothing in his way – inventing something.

He was funny. He had a coruscating and bitter wit that could be breath-taking. At school he was an outstanding debater, subtle & skilful in his writing, and strong in his delivery. To bring on Southwell was to bring on the heavy cavalry, and the way in which he lampooned the opposition meant he took no prisoners.

Aeons before anyone thought of the magazine “Viz”, Tim had created an alternative school mag which he’d called GOS - he reassured a dubious  head-master that it stood for Good Old School. In fact it was a scabrous and bitterly funny satirical cartoon strip that spared no-one and no sensibilities.

 Typical example – a Dickensian scene: “How Bob Cratchit solved the problem of Christmas Dinner”; Southwell’s illustration – Tiny Tim on a spit.

Tim was also an impresario of note – a budding Branson who might not have founded Virgin but did establish “Sunshine Tours”, running charabanc trips to Morecambe, Bridlington, Skegness, and Southport. Not a lot of sunshine, but nobody dared ask for their money back. The one guarantee was laughter.

Tim was gregarious and out-going but it wasn’t empty bluster. He made things happen. All his life he was dauntingly practical, a self-taught and accomplished wood-worker and craftsman, who could apply himself for days to making the most detailed and intricate furniture, complete with hidden drawers and secret compartments.

And that was Tim too. He always had that strange gift for acquiring arcane information and singular obsessions.

As a teen-ager he became the self-appointed spokesman for the Tupamaros guerrillas of Uruguay – a lonely task in Wakefield, but one to which he applied himself with immense seriousness. I think.

He was shrewd enough to realise that it was no walk-over because he didn’t stand on a soap-box or anything like that, but instead he very cunningly got his Mum to stitch the Tupamaros insignia onto his many tee-shirts.

In pubs or on buses there was always one unwary nosey-parker who would inquire, “Why have you got a huge star stitched to your chest?”

And with a gleam in his eye Tim would cry “I’m very glad you asked me that”, and treat them to a formidable history of South America from the Aztecs onwards and the need for Marxist revolution.

I would say that he won many converts to the cause in the West Riding, especially around closing time. 

Tim’s immense energy wasn’t simply intellectual, it was physical. Tim always wanted to be hard – he wanted to look like a teddy-boy, but under that great flop of hair he already had the distinctive rolling walk that made him look more like a teddy-bear.

Still in his  teens, he  walked - bear-like - through the Lake District in the footsteps of Coleridge to climb Scafell, England’s highest mountain.

And back home many, many times after missing the last bus we walked through the night the ten miles or so from Leeds to Wakefield.

And there was never disappointment in missing that bus - rather it was an opportunity because, for Tim, walking meant talking, with me or Pozman or Steve Parish playing Boswell to his Dr Johnson. “Take a note of this aphorism!”

To the alarm of the locals who were already abed Tim made his night-time progress between the two cities like a sort of rolling shock-wave of humour and fantastical imagination. It was a lot of fun.

In 1969 we walked even further, making a marathon trek across the Cotswolds from the Midlands all the way to Wales and back. Tim rather begrudgingly found that he liked the soft, southern Cotswolds very much – so much so that he claimed them in the name of Yorkshire, annexing them as a sort of honorary South-West Riding. Even today there are people in Bourton-on-the Water who don’t realise that they’ve been twinned with Kettlethorpe.

And it was in the same spirit, I think, that two years later Tim went up to Oxford, affecting to see it simply as a far-flung outpost of Wakefield’s Public Lending Library – but, inexplicably,  with more books!

At Christchurch Tim was a great respecter of tradition - especially the tradition of having a good time - and he was very happy to adopt Oxford’s academic gown and wear it over his home-made Tupamaros tee-shirt.

He found converts to the cause of Uruguayan revolution thinner on the ground at Christ Church, but it was here that he found real fulfillment in his artistic abilities, designing and painting astonishing stage sets for college productions like Merchant of Venice, All My Sons, Dog Beneath the Skin and Little Malcolm. For this last one he had to produce not one but half a dozen convincing copies of Van Gogh’s “Sea Captain”, one to be destroyed on stage each night. Needless to say Tim painstakingly produced six perfect masterpieces and took great delight in watching every one of them torn apart for the audience.

He was also instrumental in establishing Oxford’s first-ever Rag Week, which led, memorably, to an appearance before the Proctors after complaints about his jokes in the Rag Mag. It was an encounter which Tim enjoyed hugely, the Proctors not at all.

At the point in his life when Tim went up to Oxford he seemed capable of anything. Those who knew him would have been unsurprised at his success in any field, politician, political satirist, campaigning journalist, criminal lawyer, international jewel thief  – we knew that Tim would make his mark. But after Oxford Tim, as always, went his own way; he followed his practical side and took up a job in housing.

Perhaps it was rooted in the social conscience that he’d shown while working for Shelter as a teenager, or perhaps he was simply moved by the plight of those who’d had to share a house with him in Weston Road.

Whatever, housing was to be his life’s career - first in Notting Hill, later in Camden and finally in the Midlands. And to this career, he brought all the grit, the zeal, the determination and the scrupulousness for detail that he embodied.

It was the good fortune of the people of Notting Hill, Camden and the Midlands to have Tim working on their side – but I often wondered if his managers knew what had hit them.

So what was it that drove Tim so formidably?

He set great store by his education and was especially proud of his education by the Jesuits of St Michael’s College - for a humorous man and a pricker of pomposity he took the religion of his youth very seriously.

Both as a boy and as a man he had firm and rigid principles – at times, perhaps, too rigid; cross an invisible line and the unwary would find they’d been “axed” (a favourite word) cast into an outer darkness from which the return had to be painstakingly negotiated.  But if Tim could be hard in his judgment of others when he thought it was merited, he was always much, much, much harder on himself. All his life.

To the world, as Don Quixote, he presented a shield, a veneer of turbulent, black humour, but beneath that he was a man of passionate commitments, a huge and diverse bundle of energies, serious and trivial, that made him very loveable. So what were the things that he loved? 

He loved his family. He loved Wakefield, he loved Sandal Castle over there across the fields and the physical sense of history that it embodies; he loved Yorkshire and the West Riding, he loved Rugby League, Wakefield Trinity and John Smith’s; and - with the same passion - he loved Jonathan Swift, William Blake and Shakespeare.

And, one glorious summer that we spent as groundlings at the RSC in Stratford, he briefly and passionately and from afar loved Dame Judi Dench  – but only because he found that she came from York;

He loved Bob Dylan and he loved the Stones - he knew their lyrics word for word and he relished them – as only Tim could – savagely;

He loved Oxford and he loved Christ Church, although I’m not sure that he felt that Christ Church always loved him – something about which he was rather proud.

He loved books, he loved words, and he loved learning for its own sake; he loved conversation, humour and argument;

He loved architecture - and he visited most of the National Trust’s houses;

From childhood he loved Meccano - and, in just the same way, he loved the work that he did, the nuts and bolts, the minutiae, of how buildings work - and he especially loved explaining it all, with a perfectly straight face, in mind-numbing detail…

He loved William Hogarth and Gerald Scarfe, Aubrey Beardsley and Van Gogh, Andy Warhol and Roy Liechtenstein…

And, of course, he loved Anni. The last time that most of us were together was for her funeral, which Tim, in his grief, arranged and choreographed so beautifully. Just two years later here we are for him.

Tim and Anni met at Oxford and each found their match in the other, their consummation. They were a matchless couple, a formidable pairing and they were happy. Together they went to America, to Greece, to Prague, to Russia, India, Sri Lanka…

But however far Tim traveled, in the world or in his mind, he always brought to bear that triumphant wit, an astonishing sense of what I can only call “grim exhilaration” at the absurdity of life – and of death.

I called a friend the other day to pass on the news about Tim’s death, Billy Horrocks, one of the many who had become Friends-of-Tim at one remove, drawn almost despite themselves into the whirlpool of his imagination.

And he said sadly, “But I was quoting Tim to my students just the other day”.

 What he‘d been quoting was the maxim that Tim had coined as his watchword, “Ubique Barnsley”.

It was once to have been the title of a long-promised musical – sadly unwritten – but it remains an exuberant collision of ideas that will always sum up Tim for me.

It seems very odd to be in the same room as him and feel that someone else, for once, might have the last word; I’m not counting on it.

In life he was larger than life, and in the memories of all those who knew him I don’t doubt but that Tim will prove to be larger than death too.  

William Lyons, February 2000

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